But I’ll play.
Wah, wah, wah. Writing is hard. I need a lobotomy, or this is also how the writer’s workshop is going.
But I’ll play.
Wah, wah, wah. Writing is hard. I need a lobotomy, or this is also how the writer’s workshop is going.
March 18, 2010
I decide to go balls out, because, really? That’s the only way this can go.
It’s Sunday night, 5 p.m.—week six submissions are due and I’m on the hot seat. Five weeks earlier—my creative confidence flagging–I almost quit the writer’s workshop, but tonight, tremulous and excited, I flip open my MacBook and ready my first essay for review. With one last check for glaring errors, I bless my piece for scrutiny by 12 people who were perfect strangers just weeks before. I hope their analysis is constructive and fair. I worry though, that the dissection of my work—like a careless slice job on a high-school science class’ formaldehyde frog—will leave me splayed out catawampus, my guts a grayish gumbo all over the tabletop. I do not like gumbo, and my guts, those that I’m mustering right now to steel myself against the cold winds of critique—I’m kind of fond of them—I pray they remain intact.

(Photo credit: Bascom Hogue@Flickr)
—-
Simon Moth hates my essay.
It’s Wednesday, workshop night, and of my submission, “Mother Fixer”—an essay about my step mom, over which I have agonized, scrutinized, and poured buckets and buckets of heart and soul and time and love and loss and neurosis and heartstrings and everything else into—Simon says, “I think its flat.”
“The beginning of the essay is no more compelling than the end,” Simon, a furrow-browed octogenarian intones. The first of the group to speak, he is dismissive, resolute, not at all concerned with starting the critique on a positive note. To punctuate his point, Simon scrawls tangled black letters, echoing his sentiment—that my essay royally sucks—into the margins of a printed copy of my piece, which he will give me at the end of class. When sufficiently finished scribbling, Simon cups his hands around a porcelain coffee mug; phantom wisps of white steam, fine as translucent vellum, float up and then evaporate into the tension-filled room.
“What I wouldn’t give,” I think, “to disappear right now, just like those fine white wisps.”
… But then, bright spots.
Irene, our instructor, her hair piled high in a haphazard bun, her large, gold earrings hanging like chandeliers from earlobes exposed, says she likes it; she thinks the essay works. “It’s a portrait,” she explains, “it’s not supposed to be revelatory. It’s a conjuring of a mother—and the literary world is full of mothers.”
“I loved the main character. She is larger than life!” Jen, the schoolteacher at the end of the table exclaims.
Miriam, the soulful Belizeer with the infectious smile, says that the work is great, beginning to end. “I wouldn’t change a thing,” she emphatically says. “I would not change one thing.”
—-
Later that night, back at the apartment, Andrew—languishing on our green tufted couch, his jewel-eyed Siamese stretched out alongside—asks how the critique went.
“It went well,” I say. I am pleased that my work, good or bad, resonated with a real-world audience. And then because the impulse strikes me, I corset my arms in an “x” across my stomach. I feel side ribs, soft flesh.
What do you know? I think. My insides are still intact.
Simon Moth be damned, it looks like I’ll live to write another day.
The jewel-eyed cat looks in my direction, purrs her approval.
(Photo credit: Pink Sherbert@Flickr)
Rhi! You win! You win! Not only are you a winner in life, but you are also lucky #5. Your decals are in the mail—fortunately I got them to the post office yesterday BEFORE getting the flat tire which derailed the rest of the afternoon (oy).
Thank you to all participants. This was fun. We should really do this again sometime, non?
SIMON MOTH ATE 15 COOKIES.
I record this fact in my Barbie pink, Mead Five Star notebook. It is 8:30pm on a Wednesday and week 1 of the writer’s workshop in which I’m enrolled in as part of a New Year’s Resolution. I am sitting at a long, black Parson’s table with 11 other Personal Essay workshop participants, and I have been watching—discreetly through squinty-eyed side glances—the white-haired, bespectacled physicist to my right, quietly devour a formidable mound of delicate wafers. Deftly, steadily, Simon’s liver-spotted fingers hopscotch through the Pepperidge Farm sampler provided by our instructor for snacking; lacy rounds, buttery bars, twin crisps with velvet ribbons of decadent chocolate sandwiched between—none are safe from Simon’s eager maw.

(Photo credit: mconnors@MorgueFile)
And I’m a little worried. Should someone his age (what is he, 75, 80, 89?) be eating sweets with reckless abandon? What if he has diabetes like my grandma? What if those delicious little cookies that Simon’s fixedly putting to his papery lips are nothing but delectable death rockets primed to explode his blood glucose levels to atmospheric heights? What if all that sugar sends Simon flying, on one last trip through the strawberry fields of sweet crystalline bliss, only to plunge him into the perilous depths of a cookie-induced coma? What then? I can all but see the tombstone:
–Here lies Simon. He tasted of death; it smacked strongly of store-bought Milanos. R.I.P.
I unlock my tractor-beam gaze from Simon’s impressive confetti of crumbs long enough to jot in my notebook–it’s spiral wire curling through the perforated spine of 100 wide-ruled pages—a thought for further consideration:
“Is it wrong to kill your classmate,” I write, “before he’s even critiqued your work?”
…
I hold that thought. Something’s going on at the head of the table.
—-
She’s smiling as she speaks. Our instructor, Irene, her hair, a milk chocolate drape, is worn straight and long and frames her smallish porcelain face. Her cardigan is steely gray, her jewelry dramatic. From behind metal frames, brown eyes blink and sparkle. She is artsy, and young (probably my age), and already so accomplished. She’s finishing up her novel, she tells us. A literary journal is going to publish her essay in the spring, she says.
Because someone asks, Irene is telling us about the difference between memoir and personal essay. “Personal essay,” Irene informs us, “is a slice of life, usually exploring a question of what interests or troubles you.” The story length is relatively short, she says, so the audience should know why time’s spent on details. When someone asks about essay length, how long our pieces for class should be, Irene says thoughtfully, “I don’t know … I think 15 pages, double-spaced is the sweet spot.”
15 pages?! I scream silently in italics. Is she insane?
As a blogger, my goal is to condense and compress, to never exceed two pages per post. For me, 15 feels impossible, insurmountable, like climbing Mount Everest via Microsoft Word.
My stomach plunges and I feel nauseous. Pinpricks of sweat explode in my armpits. My panic is white hot.
Taking a page from Simon Moth’s book, I crabwalk my fingers toward the cookie platter. I am an emotional eater and right now that buttery square can’t make it into my grip fast enough. The middle of my confection of choice? It’s loaded with raspberry jam. When I bite in, I notice the filling quivers a little; it’s shaky inside, just like me.
On the drive home, I keep one hand on the wheel, the other wipes cookie dust from my blouse. Well that was an experience, I think. As the InPrint house—and Simon and Irene and 12 strangers and 15 nerve-wracking pages and one very strange night—fades behind the glare of my red taillights, I wonder if I’ll ever go back.
Because right now? I’m highly uncertain.

(Photo credit: Robert S. Donovan@Flickr)
Woops, in the process of pimping out my new apartment, I bought too much stuff. My bad = your awesome opportunity to win a fun and fancy set of Blik Classic Chair Back decals!
What it is Blik? What are chair back decals? Blik is an internationally acclaimed design company, famous for its quirky removable wall graphics. Blik’s whimsical Classic Chair Back decals allow decorators to spruce up their dining chairs on the cheap. Application is easy (really, they’re just big stickers), and is as temporary or permanent as you want it to be—the decals are reusable, so if you’d like to try a new look, simply unstick the chair backs and stash for later use.
What’s included in the giveaway? Six chair back decals (all white) valued at $30, and shipped via USPS direct to your home. Want more deets? Here’s the package info:
TO WIN: Leave a comment on this post with your email address included. Winner will be selected via random number generator next Thursday, March 11th at 6 PM EST. Giveaway closes Thursday, March 11th at 5 PM EST.
*Reeeeallly want to win? I’ll give you one additional entry (for two total chances to win) when you share a link to this giveaway on your blog, Twitter, Facebook, etc. Leave a link to your shout out on this post as your second comment to qualify.
Best of luck, kids!
—-
The fine print: (Though we really like ‘em), Hännihaus is not affiliated with Blik, nor has Blik sponsored this giveaway; giveaway items were purchased directly from Blik Web site.
The tatty sun-baked slab is cracked and cratered, covered with a fine layer of mossy bayou goo in some areas, freckled with oil slicks and tire tread in others. Trees older than I am line the drive. Majestic, tall, and strange in this otherwise drab and shabby place—a run-down apartment complex where the rent is cheap, the roaches abundant—they bend their heavy limbs in a startling brown and green drape. From beneath the pavement, undulating root systems erupt through concrete crust, easy like steam escaping the lattice of a fresh-baked apple pie. Some 30 years earlier a developer paved this swamp paradise, put up a parking lot. Left to decay—maintenance being of little concern to property manager pimps eager to fill (and bill) for four walls and a roof—it seems paradise is taking the lot back.
That’s kind of beautiful, I think, of the trees. But then I notice a sign stapled to one of the stately oaks, and I am bitch slapped back into reality. ATTENTION RESIDENTS, it reads, THERE HAS BEEN A SERIES OF BURGLARIES AT THE COMPLEX. PLEASE KEEP YOUR DOORS AND WINDOWS LOCKED. KEEP VALUABLES IN A SAFE PLACE AND BE AWARE OF ANY INDIVIDUALS WHO ARE UNFAMILIAR TO YOU—THX, MANAGEMENT.
“Ahhh, home sweet home,” I utter aloud to no one at all. And then I heft some boxes into the trunk of my corolla. After two years living amongst criminals, and craggy, pockmarked pavement, I am finally moving out … and thank God for that.
—-
The last moments spent in my dingy apartment—number 3201, with its sagging ceiling and weathered wooden façade—I am hunched forward, furiously running a whirring vacuum over threadbare carpet. In the front closet, dead leaves and detritus cling to the baseboards. I bend to my hands and knees for a closer look and see it—a black pepper army, their legions scattering and popping like water tossed into boiling oil. Fleas. Hundreds of them hop inches from my face. I recoil in horror, straighten up, step outside, shut the door. I put key in lock and walk away, fast. I never once look back.
And as I drive away that one last time, my tires grinding over rutted concrete, I accelerate a little more than usual. I need to get the HELL out of here, I think. And though it’s been calm all morning, suddenly a breeze kicks up, catches in the leaves of the apartment’s ancient trees. Their shaggy crowns tremble and shake, and I imagine they are nodding their heads in agreement.

(Photo credit: Zevotron@Flickr)
—-
OK, so it’s been three weeks since the move. What–pray tell–have I been up to? Andrew and I, we’ve been nesting. The new apartment is gorgeous with 12-foot ceilings, beige walls, white moulding, walk-in closets, and a wide-mouthed garden tub. Apricot tiles line the entrance hall, and plush, light-colored carpet (devoid of creepy crawlies) blankets the living and bedroom areas.
Some of you have asked for pictures, and though photography isn’t really my medium, I’m eager to please. Sneak peak coming soon, yo. Get stoked.
BTW, it’s nice to be back. Xoxo.
Friday is moving day. And this week, I am like Scrooge McDuck. Except, instead of blissfully backstroking my Glaswegian tail feathers through a cash-filled swimming pool, I am clumsily lumbering my sorry tush through a Texas-size coagulate of cast-off cardboard, packing tape, and permanent markers.
If someone were to sink a post into my brain, mount a hook, and hang a shingle, the lettering on the sign would read:
THIS SPACE OCCUPIED.
No proper post this week. My bad. Your boon. Look at all the time you’re gonna have now that you don’t need to glom on and grit your teeth to make it through one of my marathon stories! You should totally thank me by coming over to help me pack! Oh, and while you’re at it, why don’t you tackle my homework?
Yes, homework. That creative writing workshop I signed up for, it starts tonight. And yeah, there is pre-work … which I haven’t started pre-working on. (Of course.)
In conclusion, I would just like to say that yesterday my mom called and asked me to write down a word. I-n-g-u-i-n-a-l, she spelled out. When I asked what it meant, Mom said it was a kind of hernia men get when their intestines protrude from their groin into their scrotal sac. Mom has decided she wants to be a sonogram technician when she grows up. She is learning all sorts of new words in her medical terminology class at the community college. Like it or not, I am learning them too. And now, so are you.
You’re welcome.
The first thing to do, she tells me, is to get all traces of him out of the apartment.
I sigh, glance at the clock in the living room. It is smallish, round with a silver frame; two hands, flat black chopsticks, mark off minutes on a white numbered face. The third hand, shiny and sharp, reminds me of a hypodermic needle which is not—considering the circumstances, that my heart feels as if it’s been pierced straight through—a strange likeness to assign. Tick Tock, the little clock says. Hänni it’s been 10 days since he left. He is not coming back.
My step mom, a sturdy Norwegian with a killer sense of humor and fierce loyalty to family, is standing in front of the couch. She’s come to take care of me. In these, the first few worst days of my life, she is the one who is keeping me fed, calling the lawyer, making sure that when I’m in the bath—my head submerged in salty, lilac-scented water—I reemerge on the surface, even though I don’t want to. Even though I’d rather drown.
Elida, my stepmother, she is a lioness. And right now I’m as helpless as a mewling, newborn cub. So when Elida palms the cheap Ikea console and says we need to get rid of his things, I comply. The first object that needs vanished into the ether? Our wedding portrait wherein his full round face and crooked smile are on prominent display. Elida picks up the silver frame, flips open the velvet backing, and removes the Kodak paper. “Here,” she says, thrusting the black and white couple towards me. “You need to cut this into small pieces and put it in the litter box for the cats to shit on.”
It seems crazy, but—wielding the scissors with the orange plastic handle—I do it. And then, miracle of miracles, I feel better.

(Photo credit: Delta407@Flickr)
—-
Sweet and salty, her communications—once full of blithe—are now peppered with sadness.
In an email response about dining room furniture for my new apartment, Elida recommends a parson’s table. “They are very versatile,” she says. “You might try getting one used and painting it stealth black, it has a wonderful chocolaty undertone.” And then—a shotgun blast to the stomach, a strange orphan in an otherwise bucolic discourse—Elida tells me that her brother is not doing well. “He is going to die,” she says, “and he knows it.”
In a separate email, Elida bestows the virtue of zebra rugs—“A diehard classic, if there ever was one”—and then she laments the loss of her beloved father. “Our last years were so sweet,” she writes. “I miss him so much,” she says.
Things have not been easy for Elida this past year. In the spring a mystery malady rendered her auntie Robyn—for whom she has become a part-time caretaker—an invalid. Last fall, Elida’s brother, Mark was diagnosed with end-stage pancreatic cancer. Just after Thanksgiving, Elida’s dad, my Grandpa Byron, died suddenly when an aneurysm ruptured in his stomach during a flight from Anchorage to Seattle.
It must be hard for Elida, keeping her eyes open when there’s so much cold air blowing in them.
—-
In all this, I can’t help be reminded of a time—three years ago this January—when the struggles Elida tackled where mine. At the apartment one afternoon, in another house-clearing exercise, she instructs me to drag Blake’s computer desk—all cheap blonde laminate and wobbly metal rods—onto the third-floor landing. “Now,” she commands, “push it over the railing.”
Woooooooosh. The table free falls, and when it connects with the concrete, it makes the most delicious smash. Chunks of pressboard shrapnel splinter across the parking lot. And then—like she’ll do a million times in the months leading up to my post-divorce recovery—Elida assists me in picking up the pieces.

(Photo credit: Damork@Flickr)
Today I am better. Elida is not. She is in a black place, and I’m embarrassed to admit, I have not helped her like she has me. I’ve avoided phone calls, can’t will myself to purchase a condolence card. You know the conversations where you die a little inside, it hurts so much to have them? I circumvent those by emailing a steady stream of frivolity—paint colors, wall patterns, ghost chairs; these are topics from which I won’t stray.
I’m a jerk. I know this. I’m not sure how to change. Except—I can do as Elida once told me—and take a first step. The first thing to do, I think, is to let her know.
I open my MacBook, prompt a browser, and type:
Dear Elida,
I just want to say, I love you.
(P.S. I’m sorry for being such an asshole.)
January 13, 2010

(Photo credit: Scootie@Flickr)
WHO THE EFF IS LEAVING THEIR WET CLOTHES IN THE ONLY WORKING WASHER?!
What about me? What about my needs? Do you know I only have one pair of athletic pants? Are you aware it’s cold here and I’ve thus felt compelled to wear these pants (in lieu of shorts) to the gym, like, five times this week? Do you know I’ve got exceptionally sweaty crevices? Do you understand my sweatiest crevice—which during fitness pursuits gives the foulest swamp, thick with mold and mildew and curdled stench, a run for its money—is situated, a split the size of the grand canyon, underneath the waistband on the ass-side of my pants? Forget crunches and squats—you do know that wearing the same pair of pants for five consecutive trips to 24 Hour Fitness is, in and of itself, an exercise … in OLFACTORY endurance?
How do you feel about that, dear-neighbor-who-can’t-be-bothered-to-empty-the-washer-after-the-rinse-cycle’s-complete? Does it help you to sleep well at night knowing that the god-awful odor snaking through our shared ventilation is not—as you’d assumed—the innocuous off-gas of a cluster of dead rats, but rather something infinitely more sinister? Would you, Maytag midwife, birth your white cotton sheets more quickly from the wash machine womb into the world of the waiting dryer if you knew that next to be washed was a pair of putrid spandex pants that could stand on their own without legs inside them? FOR THE LOVE OF GOD, A-HOLE NEIGHBOR, WOULD YOU STOP BEING AN INCONSIDERATE TWAT LONG ENOUGH TO REMOVE YOUR CLOTHES FROM THE WASHER BEFORE THE MACHINE—WHICH I HEAR IS QUITE BULIMIC—MYSTERIOUSLY BARFS (PERHAPS WITH MY HELP) YOUR CLOROXED CONTENTS ALL OVER THE DIRTY TILED FLOOR?
…
Quiet and contemplative, these are the questions I sometimes ask myself (mostly on laundry day).
(And also: I sometimes ponder the cosmos, the Israeli-Palestinian conflict, and the unfortunate exposure of my eyes to the dude next door’s shirtless, bony clavicle and his Rorschach blot plume of black, pubey-looking hair. Galloping across Dude’s chest in a tangled weave, I see horses … and posies … and people who should know better to keep their breast bone covered …. But I digress.)
Two weeks from today I will have the entire contents of my current crappy apartment packed and ready to move to my (or rather “our”) new, not-so-crappy apartment where—omg!—I will have my very own washing machine. And then every day will be like Christmas. And I will be drunk off the fumes of power and Tide and bargain-bin dryer sheets. And when guests come to visit, they will say (of the Whirlpool appliance to which I am firmly affixed in an awkward embrace), If you love it so much, why don’t you marry it? To which I will respond, Fabulous idea! Cue up the organist! Buy me a bouquet! Book us two tickets for a honeymoon in Vegas. I hear the Liberace museum is *very* romantic this time of year.
But two weeks is not today. So for now, I can only do the thing of which hormonal teenage boys (and the similarly depraved) are adept. I fanticize. And furniture is my porn.
Even as the clot of cardboard I’ve gathered for packing sits untouched on my bedroom floor, in my head it’s urgent that I decorate a space I don’t yet inhabit. And so I spend hours—of which there are precious few remaining in this shabby little apartment where I found solace and self-sufficiency after my difficult divorce—researching, obsessing, making plans to spend what I’ve so carefully saved. Beveled mirrors, bamboo chairs, zig zag rugs and zebra pattern pillows—these are the trappings of a glamorous abode; and also, the smoke and mirrors of a glittering distraction.
Maybe the reason my packing thus far consists of three paperback books is, this place—the 600 square feet where I got my wings, did some healing, felt bad and then felt better—I just might miss it.
But only a little.
Hairy neighbor notwithstanding.

(Photo credit: Robert S. Donovan@Flickr)